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As his body meets the frame of the windshield, the camera and ILM break the plane of the two shots. The only hidden stitch in the opening of A Quiet Place: Part II is when Lee Abbott (Krasinski) steps out of his truck to talk to the officer. When it comes to finding the right moment to stitch two cuts together in a oner, Krasinski looked for the transition. There are moments when the camera does shift perspectives to allow the audience to walk with the character the story is focused on. No clear cuts to take the audience out of the scene.
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Now, when he said he wanted to do a long take, what he really meant was to make the whole thing feel fluid. Krasinski’s goal of the opening was to shoot the whole scene in one take, and we think he did a killer job. This time, it's normal and functioning like any other town. We’re in a small town with the same family we know and love. The opening scene starts before the events of the first film. From one takes to the perfect mistake, this is how Krasinski made the opening scene beautifully intense. Vanity Fair sat down with John Krasinski to break down the fantastic opening scene. The adrenaline starts pumping fast as the alien monsters take out cars and chase after some of our beloved main characters, and we haven't even finished mourning the death of Lee Abbott (John Krasinski) from the last film.
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Now, there are a lot of great moments in the film, but nothing tops the opening sequence. A Quiet Place: Part II is finally out! Coming after the major success of A Quiet Place, Paramount Pictures quickly wanted writer and director John Krasinski to make a sequel-to which he said, “No.”Īfter writing an outline for the next writer and director of the second film, Krasinski realized there was no better person to create the sequel than him.